- #Iridient developer fuji film simulation full#
- #Iridient developer fuji film simulation pro#
- #Iridient developer fuji film simulation software#
- #Iridient developer fuji film simulation plus#
- #Iridient developer fuji film simulation professional#
But when I went Fuji, I went with their MF camera too and that was a no-no for C1, so I used a combo workflow involving Iridient Developer, Lr and Ps. I used C1 in my studio and on larger location shoots when I shot with Nikon cameras. To me, they are the best, most accurate film simulations on the market right now.
#Iridient developer fuji film simulation plus#
plus tethering, Raw conversion and film simulations. C1 now has Levels, Curves, LAYERS, and all the sharpening, exposure, noise reduction, highlight and shadow sliders, brushes, masking, and their EXCELLENT color adjustment tools. Love it.Īround version 10 or 11, C1 did an overhaul on their product and upped their game offering additional adjustment features and functions.
#Iridient developer fuji film simulation full#
Full support for Fujifilm and for enthusiasts on a budget, a free version to satisfy. Oh, C1 also announced Fujifilm Express, a bare bones processing and Raw conversion tool for FREE.
#Iridient developer fuji film simulation pro#
Same everything but only for Fujifilm whereas the Pro version supports 90% of the available manufacturers - Nikon, Canon, Sony, Fujifilm, etc. FULL support for all current day Fujifilm cameras, even offering a Fujifilm specific version if you didn’t want the full blown “support the world” Pro version. Thats what happened and was announced last September. Phase One NEVER supported competitive medium format (MF) cameras and even today, Fujifilm’s GFX is the only MF they do support. When Fujifilm came out with their own medium format, the GFX50s, it wasn’t supported at all. C1 did not support many lens profiles though, no film simulations and just the newer X system cameras when they got around to it. Only Iridient Developer matched or maybe exceeded C1. C1’s Fuji Raw file conversion was, and still is, some of the best available.
Phase One’s Capture One supported Fujifilm X-Trans Raw files from near the beginning but that was Raw conversion and C1’s basic post processing only. Still not real efficient as a workflow but the results made it worth it.
So you shot, did some minor work in C1 then imported to Ps and finished things off. And levels, and Curves, and an extremely wide range of adjustment and enhancement capability. For more in depth work like healing, or cloning, and for local and global adjustment they still used Photoshop (Ps) which has Layers.
#Iridient developer fuji film simulation software#
Now professionals had a great software product across all their camera platform which they could tether with, and post process with, within reason. Professionals use more than one camera and many also shot Nikon and Canon and asked Capture One to support their other systems and Capture One (C1) decided to comply.
#Iridient developer fuji film simulation professional#
It quickly became the darling of the digital medium format professional users with its in studio tethering ability, awesome colors, and standard post processing capability.
Capture One is a conversion and post processing tool that existed for Phase One’s top caliber very expensive medium format cameras.
Last fall Capture One, which is Phase One’s software side, announced a support deal worked out between Fujifilm and and Capture One. You can address some of this using Lr’s excellent tools and get an acceptable image but it takes time and is never really perfect. Other companies have stepped up with excellent Raw conversion, Iridient Developer comes to mind, but using one product to convert and then getting into Lightroom (Lr) is an inefficient process so if you seek quick, efficient workflow you are left with using Adobe’s crummy conversion process which has produced “worm” looking artifacts, and a less sharp image afterwards. Adobe has always done a poor job converting X-Trans Raw files and that continues, but Adobe has a nice photography post processing tool called Lightroom which is a pretty good tool for working on an image after the Raw conversion is completed. This type of Raw file created by Fujifilm is not able to be processed by the accepted software in place at the time and even now only a few forward thinking companies process X-Trans Raw files. They invented a new filter, the X-Trans, which in a nutshell passes all color data in a different array but its all true color, not created by the camera or other software. Fuji is all about color and that method just didn’t jive with them since color matters so much. This is a filter that passes all the red color data, but the remaining blue and green colors only have half their data passed and the rest is interpolated to make it 100%. Typically, 99.5% of the cameras out there use a Bayer filter over the sensor. Being a Fujifilm X systems camera user, which are those Fujifilm cameras with the X-Trans sensor, Raw conversion has always been a concern.
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